Blacula
Night of the Strangler (1972)
Having been balls deep in black horror for a number of years, it’s always fascinating to come across a film of significance that’s been hidden in plain sight for...
Don’t Look Back (2020)
Somewhere within the flaming garbage heap that was 2020, there have been reasons to celebrate: your birthday, for one, and if you’re reading this, the fact that you’re still...
Kindred (2020)
Guess Who’s Coming to Dinner meets Rosemary’s Baby in Kindred, a polished, well-acted British thriller whose intriguing potential ultimately devolves into a ball of toothless frustration. The story revolves...
Storage 24 (2012)
A year or so after Attack the Block was released, another British sci-fi horror film with a black protagonist fighting an alien invasion came out -- with less spectacular...
His House (2020)
With his remarkable feature debut His House, British writer-director Remi Weekes achieves what seasoned horror filmmakers struggle to pull off: tackling social issues like immigration, xenophobia, genocide and gender...
Bad Hair (2020)
Dear White People’s Justin Simien lends his satirical eye to horror in Bad Hair, a blend of social commentary and pop culture nostalgia wrapped in a supernatural curse film...
Black Horror 101: A Brief History of African Americans in Horror Cinema
Black Is Boo-Tiful
When Jordan Peeele’s Get Out became a breakout success in 2017, earning him the first Original Screenplay Oscar awarded to an African-American, "black horror movies" suddenly became...
Black Box (2020)
Buried within an avalanche of horror offerings featuring black folks during the Halloween 2020 season (including Antebellum, Bad Hair, His House, Spell, Vampires vs. the Bronx, Don’t Look Back,...
Tales from the Hood 3 (2020)
Tales from the Hood was woke before woke was woke, addressing issues that are still central to the social justice conversation today, from police brutality to institutional racism to...
Vampires vs. the Bronx (2020)
Selling Vampires vs. the Bronx as “Attack the Block meets The Lost Boys” might be accurate, but it does a disservice to the film by setting an impossibly high...