A semi-sequel to King of the Zombies, Revenge of the Zombies is more like King of the Zombies Redux, with Mantan Moreland reprising his role as bug-eyed servant Jeff, albeit in a different location (Louisiana instead of the Caribbean) and with a different (albeit equally rigid) cast of characters....
A year after the events of The Purge, The Purge: Anarchy focuses on a group of disparate individuals in downtown Los Angeles on the night of the Purge of 2023. Shane (Zach Gilford) and Liz (Kiele Sanchez) are a couple on the verge of separating who are heading to...
Originally titled Guardian of Eden, The Good Wifey changed its name presumably to capitalize on the success of the TV show The Good Wife, even though the first title actually makes more sense for the story. It features a character named Eden, after all -- a little girl who’s...
Almost a decade after the final Candyman movie, It's good to see Tony Todd in a titular role again. In fact, he's in two lead roles in this adaptation of the classic Robert Louis Stevenson tale of split personalities. Despite Hyde's attire on the DVD cover art, this is...
In the land of the blind, the one-eyed man is king. That's the best way to approach Creepin', a low-budget, low-brow horror spoof along the lines of Scary Movie that isn't "good" so much as it is "not as bad as" 90% of other cheapie, direct-to-video horror films, particularly...
The Cavern is one of the few non-all-black horror movies to be directed by a black person (Olatunde Osunsanmi), joining the ranks of films like Demon Knight and, depending on your point of view, The Fantastic Four. (The main actor and actress in the film -- Mustafa Shakir and Ogy...
The promotional materials for Soft Matter call it a cross between The Shape of Water and Get Out, a description that is troublesome not only because it's wildly inaccurate, but also because the only discernible similarity between it and Get Out is the fact that the main protagonist is...
Though little known, Ouanga is notable as supposedly only the second movie (after White Zombie) to feature zombies. It also deals with interracial love, the notion of "passing," and the supposedly inherent fiery lustfulness of black native women. As the poster proclaims: "Meet Clelie...naive...young and beautiful...lithe, yielding, and primitive,...
WARNING: This film may cause disorientation, seizures, and uncontrollable eye-rolling. While I give props to Wendell Hubbard, the director of Recoil, for experimenting with the camera, after 200 ridiculous close-ups, shaky cameras, over-the-shoulder and beneath-the-crotch angles, and so-in-the-dark-you-can't-make-out-anything shots, it's too much to deal with. On top of that,...
Even without Mike Epps, this sequel would be a steaming turd. With him, it's a steaming turd with minor historical value in that the role of L.J. (Epps) epitomizes the evolution of the "spook" stereotype. Popularized by the likes of Mantan Moreland and Willie Best, the spook has taken...
