NOTE: POSSIBLE (MINOR, NON-SPECIFIC) SPOILERS BELOW
Having watched the movie It Comes At Night in its entirety, I can honestly say that I don't know what the hell comes at night. And as much as I like the film, this fact reflects the misleading nature of its marketing. Between the...
The Alchemist Cookbook is a challenging film that defies categorization; it's part horror, part drama, part comedy and all quirky. It stands out from the bulk of today's genre movies due to its unconventional style -- essentially a one-man show, with a slow pace, ambiguous content, minimal dialogue and...
On it surface, The Crypt is a fairly nondescript, low-budget horror movie about a group of grave robbers who run afoul of the ghosts of the dead folks they're robbing. But amidst the wooden acting, choppy editing and threadbare plot, there's actually something admirable to be found: two women...
The Invitation is a delightfully demented thriller that plays on the awkward social dynamics of dinner parties, from meeting new people and trying to discern what makes them tick to reuniting with estranged friends and trying to get past what pulled you apart. Of course, this treatment takes things...
Eloise is pretty standard ghosts-of-mental-patients-and-staff-haunting-an-abandoned-asylum fare, but for the purposes of this site, it stands out for the role of Dell (Brandon T. Jackson), a character that's such a crudely drawn throwback, he should've been thrown away before filming began. Dell single-handedly embodies at least four tired black horror...
A couple of years after co-starring in the landmark black horror film Ganja & Hess, scream queen Marlene Clark headlined Lord Shango, and while Ganja & Hess has emerged from the shadows in recent years to gain some mainstream notoriety (and an ill-fated Spike Lee remake), Lord Shango remains...
As an American, I'm fairly comfortable relating the portrayal of black characters in horror movies to the racial dynamics in the US as a whole, but it's always interesting to see how black characters in foreign films come across. The Argentine movie The Innocents (not to be confused with...
It remains to be seen whether the success of Get Out propels us into a Golden Age of black horror movies -- or at least, black folks appearing in horror movies -- but if it does, one film that might not initially garner much attention but might in hindsight...
Previously known by the more creative title Meat the Jones, Urban Cannibal Massacre settled on its new title presumably because people are stupid and need things spoon-fed to them in the most obvious manner possible. But I suppose the new moniker is more appropriate, given the derivative nature of the...
With his cushy gig on Law & Order: Special Victims Unit clocking in at 17 years (!) and counting, you wouldn't think Ice-T would bother to venture out into low-budget, direct-to-video fare like this, but if there's anything Ice-T has taught us over the years, it's that he doesn't...
